About

I'm Mike Pope. I live in the Seattle area. I've been a technical writer and editor for over 30 years. I'm interested in software, language, music, movies, books, motorcycles, travel, and ... well, lots of stuff.

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Even on the small scale, when you look at any programming organization, the programmers with the most power and influence are the ones who can write and speak in English clearly, convincingly, and comfortably. Also it helps to be tall, but you can't do anything about that.

Joel Spolsky



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Blog Statistics

Dates
First entry - 6/20/2003
Most recent entry - 6/15/2018

Totals
Posts - 2502
Comments - 2574
Hits - 2,055,845

Averages
Entries/day - 0.46
Comments/entry - 1.03
Hits/day - 375

Updated every 30 minutes. Last: 9:29 PM Pacific


  10:18 AM

I am all for writing that conveys factual information and that’s written in an informal style. But some rigor is still required, even then, to keep thoughts and facts on track.

Here’s an example, one complete paragraph, from the book Countdown by Alan Weisman, which (as here) sometimes reads like a novel.
It exasperates him to think of agriculture’s driving incentive being not to feed, but to profit. Reynolds rises and stalks to the window. Both these men have made their careers here, working alongside Dr. Borlaug, authoring papers with him. A Nobel Peace laureate, and yet money to continue his work on the veritable staff of life that launched human civilization, and on which it still depends, is so damned scarce.
So, two moments of potential confusion. First, who does “A Nobel Peace laureate” refer to here? Choices seem to include:
  • Reynolds
  • Dr. Borlaug
  • Someone who does not otherwise appear in this paragraph.
Second, what exactly is the relationship between the Nobel Prize and, well, anything in the rest of the sentence that the term appears in?

As I say, informal style is ok with me for a book like this. But if a sentence gets to the point where the reader has to stop and think, even informal writing needs some tightening up.

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